Percussion
Unless otherwise indicated, all works are published by Éditions François Dhalmann
Percussion alone
Hybride (2011) for solo percussion (ca 12')
Awaiting creation
Checkpoints (ca 2' – 3' – 3' – 8'30)
Works for learning (except 4ème) from the end of the 1st cycle to the professional level
Checkpoint I for multi-percussion (1 large cymbal – 2 mambo bells – 3 temple-blocks and 3 toms)
Checkpoint II for marimba solo (fa - do)
Checkpoint III for 4 timpani
Checkpoint IV for multi-percussion
Buzz (2009) for vibraphone (ca 3')
Work for learning (beginning of cycle 3)
Impact(s) (2007) for steel drums (double tenor or second) (ca 3')
Work for learning (cycle 3)
@ Arobase (2000) for solo marimba (ca 8')
Sinopia (2005) for vibraphone and 2 marimbas (4 ½ octaves) (ca 5')
With various instruments
Recursive (2014-2016) for solo piccolo (and percussion ad libitum) (ca. 5')
Awaiting creation
Didactic works
Landscape I to III for piano 4 hands and 2 percussionists (ca. 3'45: 1'15 + 1'30 + 1')
Landscape IV for piano 6 hands
Landscape V for 2 pianos
Contacts (2007) for flute in G and vibraphone (ca 10')
In perspective (2005) 3 pieces for guitar and percussion (ca 10')
Figures libres (2004) for vibraphone, harp and accordion (ca 10')
Ensemble/Orchestra
Jeux d'ombres (2010) for 2 violins, bass clarinet, cimbalom and piano (7')
*
The desire to leave (1993-1994) 1st chamber symphony for voice of mezzo-soprano and 13 solo instruments (ca. 12')
The Desire to Leave (1993) instrumental version (ca. 6')
Editions Lemoine
Éloge de l'ombre (2001) 2nd chamber symphony for solo accordion and 9 instruments (ca 13')
Lines of flight (2012) 3rd chamber symphony for guitar and 8 instruments (ca. 16')
En Aparté (2014) 4th chamber symphony for solo harp, clar. Bb (+ bass), trombone, 1 percussionist, violin, cello and double bass (ca.18')
The stuff of dreams (2017-2018) 5th chamber symphony for principal piano and ensemble (or orchestra) (ca. 23')
The Den of Sleep (1983) for ensemble (ca. 7') (unfinished work of 4'30)
Unedited
*
Vertigo ! (1994-1995) for symphony orchestra (ca. 13')
Six Instants (2012/2013) for orchestra (2/2/2/2-4/2/3/1-2perc./timb.-hrp., pn-quintet) (20')
Awaiting creation
Mobile (2012) for small orchestra (2-0-3-0/1 or alto sax-0-0-0/2 perc.-pn 4 hands/quintet) (6')
Didactic work. Cycle II level
With voice
137 (2003) for mixed choir, 3 solo voices, 2 pianos and 2 percussionists (30')
Text by Claude-Henry du Bord after psalm 137 Super flumina Babylonis
Everything is said I think (2011) for 9 female voices and 3 percussionists (ca 17')
La Fille de l'air (2008/2009) chamber opera for 2 solo voices, female choir and instrumental ensemble (ca. 1H20)
(wind quintet/percussion/piano and double bass)
Amours, tides (1991) for baritone voice, brass quintet, two percussionists and double bass (ca.8')
School
Keep on going ? (2010) for children's choir (school environment) and undetermined instruments (from 3 to 7/8) (ca 7')
L'oiseau du paradis perdu (2002-2003) musical tale for narrator, children's choir and 9 instruments (flute in C, clarinet in Bb, horn, percussion, 2 violins, viola, cello and double bass and recorder ensemble ad libitum) (ca 50')
arrangements
A la claire fontaine (2002) arrangement for children's choir (soprano and mezzo) and instrumental ensemble (ca. 2'30)
A la volte (2015) arrangement for soloist, two equal voices, and instrumental ensemble (ca. 2'30)
Beside my blonde (2015) arrangement for equal voices (one voice) and instrumental ensemble (ca. 3')